I said that I found appearances more bewildering and tormenting now than at any previous point in my life. It was as if I had lost some special capacity to filter my own perceptions, one that I had only become aware of once it was no longer there, like a missing pane of glass in a window that allows the wind and rain to come rushing through unchecked. In much the same way I felt exposed to what I saw, discomfited by it. I thought often of the chapter in Wuthering Heights where Heathcliff and Cathy stare from the dark garden through the windows of the Lintons’ drawing room and watch the brightly lit family scene inside. What is fatal in that vision is its subjectivity: looking through the window the two of them see different things, Heathcliff what he fears and hates and Cathy what she desires and feels deprived of. But neither of them can see things as they really are. And likewise I was beginning to see my own fears and desires manifested outside myself, was beginning to see in other people’s lives a commentary on my own. When I looked at the family on the boat, I saw a vision of what I no longer had: I saw something, in other words, that wasn’t there. Those people were living in their moment, and though I could see it I could no more return to that moment than I could walk across the water that separated us. And of those two ways of living – living in the moment and living outside it – which was the more real?
Rachel Cusk, Outline